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Deepak Tijori’s movies have dependably been turkeys. What’s more, this one is the same, just that it’s a sentimental tragedy of a show.

Sooraj (Hooda) is a capable boxer with an appalling past and clear future. Some wrong choices in his expert life had constrained him to take a way of wrongdoing, which in the long run landed him in the slammer. Presently out of jail, he crushes spirit day and night to acquire cash with the goal that he can obviously settle a few obligations. This point in film is the first and last you will catch wind of any obligation. Out of blue, he meets Jenny (Aggarwal), a visually impaired young lady who has no TV in her home. Meets transform into rendezvouses and before soon Jenny, rather than friendzoning him, acknowledges Sooraj as her lover. Sooraj, who is unsocial in his sentiment and bleak in his manner, promises his life in her administration. Be that as it may, Tijori needs them to experience some obstacles, so they do, before completion their two-word story with satisfaction.

Basically, the story is seriously composed, and that is all that conflicts with the film. The plot resemble the characters actually taking after a pre-composed story as opposed to directing it. Numerous successions in the film affirm this disappointment in composing. By what other means would you portray a screenplay where a character takes an existence choice amidst a water park ride?

Hooda is awesome. I for one like him as a performer. In any case, he is unmistakably sick cast here. It might be for his body cleaves, yet Hooda can’t sentiment legitimately. Neither can Aggarwal get a sentiment, regardless of the possibility that it’s a gravely rendered one. Her depiction of a visually impaired individual is like that of a retard, no offense. The little young lady that you regularly find in the counter smoking advertisement (before a film in Indian silver screens) where just before she embraces her smoker father is reminiscent of Aggarwal’s part. Whatever she does is call her co-performing artist “buddhu” (which signifies “dumbo” in English) a few times all through the film. Counter: no less than 7.

That is it. The story accumulates enthusiastic greenery towards the end which may speak to some purported sentimental people. Yet, in the event that you are genuinely looking forward for a sentiment show which will touch your heart, this is not the film you ought to watch.

Main concern: Deepak Tijori’s Do Lafzon Ki Kahani is a seriously composed interpretation of the prosaic sentiment adventure where a man promises his life for his darling, with no touch of authenticity. Sit tight for TV debut and have intercourse amid plugs in the event that you can.

Could be viewed with a commonplace Indian family? YES

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